Brilliant covers

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Brian Peacock
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Re: Brilliant covers

Post by Brian Peacock » Fri Oct 03, 2014 1:53 am

This is fab btw.



:biggrin:
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Clinton Huxley » 21 Jun 2012 » 14:10:36 GMT
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Re: Brilliant covers

Post by piscator » Mon Nov 10, 2014 5:28 am

Compositor (composer): Luigi Boccherini (1743-1805)
Título (title): Musica notturna delle strade di Madrid, C Major, G. 324 Op. 30
Modalidade (genre): Quinteto (Quintet)
Instrumento (instrumentation): 2 violinos (2 violins); 1 viola, 2 violoncelos (2 cellos)

Movimentos (movements): Le campane de l'Ave Maria -- The Ave Maria Bell; the main church calls the faithful for the Ave Maria prayers. Il tamburo dei Soldati -- The Soldiers' drum. Minuetto dei Ciechi -- The Minuet of the Blind Beggars; Boccherini directed the cellists to place their instruments upon their knees, and strum them, like guitars. Il Rosario -- The Rosary, a slow section not played in strict time. Passa calle -- The Passacaglia of the Street Singers, known as Los Manolos, lower-class loudmouths; not a true passacaglia, yet imitates their singing. In Spanish, pasacalle denotes "pass along the street", singing as one seeks amusement. Il tamburo -- The drum. Ritirata -- the retreat of the Madrid military night watch; the Watch's patrol, announcing the curfew, and closing the streets for the night.


Descrição (description):

Musica notturna delle strade di Madrid describes the bustling streets of night-time Madrid; about the composition, critic Jaume Tortella writes: "Taking its inspiration from nocturnal street scenes of Madrid, it seems to look back nostalgically to the gaiety and bustle of Spain's capital, recalling the sound of the city's church bells ringing for evening prayer, the popular dances that were the delight of its young people, and the blind beggars singing their typical viellas de rueda until the soldiers from the local garrison sound the midnight curfew with their Retreat."

The Night Music of the Streets of Madrid was published years after Boccherini's death, because, he told his publisher: "The piece is absolutely useless, even ridiculous, outside Spain, because the audience cannot hope to understand its significance, nor the performers to play it as it should be played."
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Ah, but those voices... a truly inspired performance of Boccherini's 3-chord confection:


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Re: Brilliant covers

Post by piscator » Tue Nov 11, 2014 12:07 am


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Re: Brilliant covers

Post by piscator » Tue Nov 11, 2014 12:08 am


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Re: Brilliant covers

Post by Brian Peacock » Wed Dec 17, 2014 12:17 pm

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Clinton Huxley » 21 Jun 2012 » 14:10:36 GMT
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Re: Brilliant covers

Post by piscator » Wed Dec 17, 2014 9:20 pm

Since this is now a shitpost thread...


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Re: Brilliant covers

Post by cronus » Fri Dec 19, 2014 10:30 am

What will the world be like after its ruler is removed?

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Re: Brilliant covers

Post by piscator » Sun Feb 08, 2015 10:06 pm

Let's try to do a little better...


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Re: Brilliant covers

Post by piscator » Sat Feb 21, 2015 4:21 am

It's not particularly inventive to play a toque on a classic tone poem of Old California, but everything about this cover is done so well that it really is brilliant:



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Re: Brilliant covers

Post by piscator » Sat Feb 21, 2015 4:40 am

This little Martin has exceptional voice...


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Re: Brilliant covers

Post by piscator » Sat Feb 21, 2015 5:07 am

Very few licks missed here:


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Re: Brilliant covers

Post by piscator » Wed Mar 04, 2015 4:19 am


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Re: Brilliant covers

Post by piscator » Sat Apr 18, 2015 4:14 am

What is groove? This is groove:




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Re: Brilliant covers

Post by piscator » Wed Apr 29, 2015 2:56 am

Speaks for itself...Last 15 seconds=kinda goofy...

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Re: Brilliant covers

Post by cronus » Wed Apr 29, 2015 5:57 am

What will the world be like after its ruler is removed?

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