Joni Mitchell

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Joni Mitchell

Post by Atheist-Lite » Sun Mar 06, 2011 10:13 am

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Re: Joni Mitchell

Post by Geoff » Sun Mar 06, 2011 10:26 am

I love Joni!

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Re: Joni Mitchell

Post by Atheist-Lite » Sun Mar 06, 2011 10:48 am



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Re: Joni Mitchell

Post by DRSB » Sun Mar 06, 2011 3:15 pm


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Re: Joni Mitchell

Post by tattuchu » Sun Mar 06, 2011 5:58 pm

Turbulent Indigo is my favorite. Does she have another album as good as that? :ask:
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Re: Joni Mitchell

Post by Atheist-Lite » Sun Mar 06, 2011 6:55 pm

tattuchu wrote:Turbulent Indigo is my favorite. Does she have another album as good as that? :ask:
Turbulent Indigo, Night Ride Home, Chalkmark in a Rainstorm, Blue, Clouds, Hejira, Court & Spark, For the Roses, The Hissing of Summer Lawns and the occasional track from the others.....can't say I've a favourite, their all quality, although her music divides into a seventies catalogue and eighties/nineties catalogue for me. I don't know what happened in between.....
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Re: Joni Mitchell

Post by maiforpeace » Sun Mar 06, 2011 7:10 pm

Crumple wrote:
tattuchu wrote:Turbulent Indigo is my favorite. Does she have another album as good as that? :ask:
Turbulent Indigo, Night Ride Home, Chalkmark in a Rainstorm, Blue, Clouds, Hejira, Court & Spark, For the Roses, The Hissing of Summer Lawns and the occasional track from the others.....can't say I've a favourite, their all quality, although her music divides into a seventies catalogue and eighties/nineties catalogue for me. I don't know what happened in between.....
Agreed Crumple, I can't say which one is really better, they are all great.
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Re: Joni Mitchell

Post by cronus » Sun Oct 30, 2016 12:01 pm

http://www.bbc.co.uk/news/magazine-37781800

When Joni Mitchell wore blackface for Halloween

The singer Joni Mitchell startled her friends by appearing at a Halloween party 40 years ago disguised as a black man in pimp-like garb. It would be unacceptable today but times were different then, her friends argue. Others disagree. Whichever view you take, her black alter ego was a reflection of her intense identification with black music, writes Kris Griffiths.
It's Halloween 1976, and eminent session bassist Leland Sklar is throwing a fancy dress party at his Los Angeles home for fellow musicians and record industry types, including producer Peter Asher and drummer Russ Kunkel, who would later appear in This Is Spinal Tap
.
However there's one lone guest loitering in the background, whom no-one seems to know, everyone thinking he's someone else's friend - a svelte black man in a zoot suit with matching chapeau, meticulous afro, wide moustache and big, dark shades.

While everyone has brought wives and partners, this pimp-like character has slunk in unaccompanied without introducing himself, and appears content to observe proceedings quietly from the corner after helping himself to the buffet.

(continental divide...) :tup:
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